What a great, great event at Merry's on Saturday. So many wonderful dancers, so much wonderful music. And I think the crowd that gathered on the street to watch the festivities might've set a record for Merry's.
Thank you, Katerina and Merry, for putting together such a terrific Halloween Hafla.
The musicians, from left, Austin Cameron and Ed Lee, and from Kara Nomadica Brett Bowman and Marc Cornelius
The coordinator of the evening, Katerina, led the lineup of dancers.
Ra'eesa (otherwise known as science fiction/fantasy author Leslie Ann Moore) performed a rousing cane dance.
The Om Sisters added some Halloween flair to their tribal fusion.
The members of Troupe Bastet sparkled during their cabaret number.
Tehani performed a belly dance / hula / hip hop fusion piece.
Stasiah lit up the crowd with her balancing act, followed by an energetic Gypsy piece. We got to see Katerina perform again with her Kabuki Dolls tribal fusion group.
And the star attraction for the night was master instructor and internationally acclaimed performer Fahtiem -- what an amazing opportunity to see this amazing dancer in such a fun and intimate setting.
And you won't want to miss the Middle Eastern music by Marc Cornelius and Brett Bowan of Kara Nomadica, along with guest musicians Ed Lee and my husband, Austin.
The event will take place from about 5 to about 8, at Merry's (2747 E. Broadway, Long Beach). The music and dancing will get underway about 5:30, and you can bet they'll be drawing a crowd. You should plan to arrive early to avoid the parking crunch and to be sure to get a good spot to see the entertainment...
I've been bad, I know... It's been way, way, WAY too long since I've updated the events calendar. I've finally gotten around to it, though, but I can't find any Orange County events!?
Only out of county stuff...
So if you know of something in O.C., please let me know either by leaving a message in the comments section or dropping me a note at deanna AT deannacameron DOT com.
Mark your calendar: Merry's Fashion with Passion boutique in Long Beach will be hosting a Halloween Hafla on Saturday, Oct. 24.
Coordinated by Katerina, the event will feature live Middle Eastern music by Marc Cornelius and Brett Bowan of Kara Nomadica, along with other special guests.
And, of course there will be some outstanding dancing. Here's the lineup:
*Om Sisters *Saviya *Sarah al Nour *Ra'eesa (who in her other life is the talented writer Leslie Ann Moore, author of the Griffin's Daughter Trilogy) *Katerina and the Kabuki Dolls
... and (drum roll, please)
* a special guest performance by master performer and instructor Fahtiem.
The event will take place from about 5 to about 8, and you can find Merry's at 2747 E. Broadway, Long Beach. (You can't miss it -- Henry the camel is always out front.)
Okay, I'm going to confess something: While I've been spending much of my time lately talking about bellly dancing and celebrating belly dancing because of my novel, I haven't actually belly danced since, well, before my daughter was born in May. Scandalous, isn't it?
This is one of the few times in the past 20 years when I'm not in a class, I'm not part of a troupe, and I haven't even watched one of the dozen or so belly dance DVDs I own.
Until last night, that is.
"Dark Fusion Bellydance -- The Ascend Tribal Dance Format, with Sashi" has been sitting on my desk since July. Every time I looked at it, I've made a silent promise to myself to give it a go when I'm not feeling so tired (with an infant in the house, sleep is scarce) or when I'm not feeling so out of shape.
Well, last night I finaly stopped procrastinating and slid it into the DVD player.
Instantly, I remembered all over again why I love this lady's classes.
Not only is the production quality top-notch (great sets, perfect sound levels, professional camera work), Sashi has organized the material to make it all very easy to use and access quickly. The DVD begins with her warm-up sequence, including dynamic stretches and yoga, to get your muscles ready for a work out.
Next up is a segment explaining the terms common to tribal fusion belly dance, and I had to smile when she covered her method for keeping her students in proper posture because it was one of my favorite parts of the class I took from her awhile back. She calls out "knees," students respond "bent"; she calls out "pelvis," students respond "tucked"; she calls out "shoulders," students respond "rolled"; she calls out "chest," students respond "lifted"; she calls out "Lookin'," and students respond "hot" -- now, how could that not make you smile?
Then Sashi proceeds with moves that will be familiar to most belly dancers -- hip drops, hip slides, pelvic tucks, vertical figure eights, hip rotations, three-quarter shimmies, chest slides, chest lifts, chest drops, shoulder rolls, chest circles, camels -- yet she imbues each with an attitude that is uniquely her own. Then she moves on to moves that are signatures of the Ascend Tribal Bellydance Format. Moves with names like Lolita Arms, Ophelia Arms, the Tribal Sigh, Predator Arms, Invocation Arms, Embracing Arms, Enticing Arms, Conjuring Arms, Kitty Foot, Pinup Foot, the Raven, the Seraphim, Chest Triad, and the Industrial.
After each move is described and broken down (and Sashi is very good at articulating exactly what the body should be doing), she demonstrates it to music, making it very easy for a dancer at home to pause, rewind and watch again and again until the move is mastered before moving on to the next.
Then she presents four Ascend Signature Combos: the Mean Carrie (I'm guessing at the spelling here...), the Nice Carrie, Wishful Thinking (I love the name of this one), and the Lolita Combo.
That wraps up the instructional portion of the DVD, but there's still more. Viewers are treated to a dramatic performance by Sashi in her full Gothic Tribal Bellydance regalia, and you'll be able to identify many -- if not all -- of the moves she's covered in her instruction and see how wonderful and expressive they are when executed well.
And then there is a great interview with Sashi that really shouldn't be missed. Not only will you have an opportunity to hear from Sashi about how she became a dancer, and specifically a belly dancer, as well as her philosophy on the dance, you might be amazed to learn that when she was a teen, Sashi experienced a medical condition that left her temporarily comatose and then paralyzed from the neck down for two and a half months. I know I was.
"I wasn't expected live, let alone walk," she says. "I had to learn to walk again." This revelation left me dumbfounded. I can only imagine the determination and hard work it took to get from learning to walk again to the wonderful, exquisite dancer she is today. And it turns out, dancing actually helped her rehabilitation. "It taught me how to reeducate my body," she says. "I found a different way to get my brain to figure out how to make my body move."
I found that to be such an incredible and inspiring message. Humbling, too. How embarrassed I suddenly was for all the times I told myself I couldn't dance because I was tired and still had too many pregnancy pounds... Sashi's story really helped me put that in perspective.
For that, I owe you a big thank you, my friend :-)
Here's a peek at "Dark Fusion Bellydance -- The Ascend Tribal Dance Format with Sashi":
This time from the lovely Bonita Oteri at Gilded Serpent.
Here's an excerpt:
"...author DeAnna Cameron deftly peels back the layers of Gay Nineties society and affords a richly descriptive and fascinating glimpse into the life, times and giddy excitement of the 1893 Chicago World’s Fair. ... The overall carnival excitement, curiosity and wonder of the Chicago Fair visitors is infectious. The pages teem with the unbridled enthusiasm and hope of our still young, shiny and new pioneer nation."
The O.C. Register photographer who attended the book signing and belly dance showcase at Laguna Beach Books on Sept. 4 put 17 of her photos together in a slideshow on the newspaper's Web site.
My novel, THE BELLY DANCER (Berkley Books), was published this summer. It's the story of a young woman caught between her Victorian morals and a growing fascination with the scandalous Egyptian belly dancers who performed at the 1893 Chicago World's Fair.
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